Rico and Rosmarie Baltensweiler Table Lamp

Germany, 1961, this lamp pivots and adjusts on three joints/rewire

intimate light

Rare Isamu Noguchi Akari Light Sculpture, Japan, Signature stamped Akari light sculpture with box, paper shade; orange, brown and natural, limited (discontinued) series sold only in Japan/rewire

Louis Kalff Table Lamp

Netherlands, 1950s, enameled metal table lamp with nickel plated adjustable arm

Matteo Thun & Antonio Rodriguez

The shade for standing and table lamps is held by five interwoven strips also in maple which are smoothed down and oiled. The soft edges provide the lamp with a visual delicateness in contrast to the vigor of the materials used. In a slow-drying process, the strips are dried naturally to maintain their form/belux

feminine and delicate

Julianna Holowka via: design-milk

texture.

The Drift sideboard has six drawers all with touch opening systems. The carcass is finished in a high gloss white lacquer with the jagged walnut drawers in a clear matt lacquer/want studio

colour color

Sofia & Mauro

doze of sex

Sofia & Mauro

color

Sofia & Mauro

Trace

James Lear

Check

James Lear

angular

Vancouver based Kurt Dexel recently came out with a line of furniture called the Angular Collection. The entire line was inspired by a triangular piece of scrap wood that Dexel found in his studio

birdie light

Kiel Mead

Brooke Nipar

New York and Los Angeles based fashion photographer Brooke Nipar has worked for editorial clients such as Complex, Marie Claire, Maxim, Nylon, Teen Vogue, and Vibe. Her commercial clients include Converse, Lady Footlocker, EMI Records, and Wrangler. There is something seducing in those photos

Gomillion and Leupold

New York based fashion photography duo Steven Gomillion and Dennis Leupold has been creating fashion shots ever since they met, back in 2006. Steve having a Brazilian background, and Dennis being German, they both share a passion for photography/Gomillion and Leupold studio

VP-Globe

1969/70. The VP Globe, which is produced in two sizes, has a spherical globe made of acrylic glass, with a system of metal reflectors to radiate the light. The variously shaped reflectors are partly chrome-plated, partly white and partly lacquered red and blue/Verner Panton

Rocking Chair Relaxer 2

1974. Relaxer 2 consists of two bent wooden runners which are connected by slats. Foam upholstery with fabric or leather-covered cover fitted to the slats ensures seating comfort/Verner Panton

Hanging lamp

1984. The lamp consists of two round, differently sized glass discs which serve as reflectors. A halogen bulb is located at the centre of the larger disc while the smaller reflector below it ensures that the light is radiated as widely as possible/Verner Panton

Topan

The spherical globe of the Topan lamp is open at the bottom and consists of polished or lacquered aluminium sheeting. To avoid the risk of the bulb at the centre of the lamp blinding people, Panton hung the lamp as low as possible above the table or floor. The same purpose was served by a specially developed set of deflectors, as used at the Hotel Astoria/Verner Panton

moon lamp

1960. The lamp consists of a large numbers of ring-shaped, lacquered white discs which are suspended around the centrally located bulb. The fan-shaped discs hide the bulb and at the same time serve as reflectors, through which a soft light is spread throughout the room/Verner Panton

ceramic buildings

an unique collection of ceramic miniature replicas of five modernist buildings dating back to communist Poland/Magdalena Łapińska